The fusion was top-down redefined and released as the X-version, which split the post community - hard to say if it was right down the middle, but - to say divisive does not begin the describe the situation. Between roughly 2005 and Ap(a day that will live in infamy) Apple was actually busy rolling out FCP5, Studio, and FCP7 while rolling up quite a few otherwise-useful software programs like nreal SHAKE, Silicon Color Final Touch among others, and cannibalizing them for parts to include in Final Cut, Motion and Compressor, as well as the first iteration of Apple Color. which ultimately promised to present a total post-production studio in a shrinkwrap box or. I recall that for years there was this Unicorn-fable around Apple, that they were working on a kind of super-platinum-everything Final Cut 8. I'm assuming no Media Composer presence because you are looking for a $200-or-less option. Perhaps too much typing to get to why there even is a DaVinci / Premiere / FCPX buffet. So we have this XML/AAF exchange for getting in and out of second and third-party software and hoping the reverse translation (roundtrip workflow) doesn't corrupt the agreed-upon final export of the project. We don't have a kind of SMPTE body that defines a format like D-1 digital, for example or BetacamSP, that defines an interchange protocol and leaves it up to a manufacturer to conform to, or you just aren't in the game. So manufacturers have their differences, preferences, and agendas, some of which have to do with profitability, some not. Also, because there are so many vendors, with sometimes proprietary processes to cope with, its a matter of interpretation and synthesis to get one narrative to work with a foreign or alien format or approach that has been introduced to the market. ![]() ![]() Everything, though, hangs on the editorial timeline, which of course is in constant flux. Starting about 15 years ago, NLE really took over in every area and integration of task became vital. Resolve in its current form is the evolved state of what began as a dedicated colorgrade platform which launched in the mid-'80s as the daVinci Renaissance. Take this opportunity to broaden your horizons, and if you decide Blackmagic Design’s DaVinci Resolve is the editing program you will use for the rest of your life then that is fine too.There are no perfect solutions, only ones that are more subtly wrong. May I share a little secret I have learned along the way in my professional career? Continue to learn as often as possible. Understand I was once, briefly, a Final Cut 7 patriot too and I also understand the hesitation of learning new software. You will find many Final Cut like features within the user interface combined with a world-class color correction. Let me ask you something a question… after all this time did you really think you could continue to use Final Cut 7 on future projects? If you have not taken a walk through DaVinci Resolve and its many editing features I suggest you give the editing/color correction software a try. Important to remember DaVinci Resolve 14 can import timelines from FCP7, shares many of the same keyboard shortcuts, uses a similar editing and trimming model, and is available in a free version. ![]() The video also includes a very brief introduction to DaVinci Resolve 14’s color grading and Fairlight audio editing capabilities. The video, which is also on Blackmagic Design’s youtube page, shows the editing similarities in the two editing systems and introduces hardline FCP 7 users to DaVinci Resolve 14’s new features.
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